The Law and The Promise Part 4

CHAPTER 11
THE POTTER
"Arise, and go down to the potter's house, and there I will let you hear my words. So,
I went down to the potter's house, and there he was working at his wheel. And the
vessel he was making of clay was spoiled in the potter's hand, and he reworked it into
another vessel, as it seemed good to the potter to do." — Jeremiah 18:2-4
The word translated 'Potter' means imagination. Out of material others would have thrown away as useless, an awakened imagination refashions it as it ought to be. "O Lord, Thou art our father, we are the clay, and Thou art our potter; we are all the work of Thy hand." Isaiah 64:8
This conception of creation as a work of imagination, and the Lord our Father as our imagination, will take us further into the mystery of creation than any other guide.
The only reason people do not believe in this identity of God and human imagination is that they are unwilling to assume the responsibility for their frightful misuse of imagination. Divine Imagination has descended to the level of human imagination, that human imagination may ascend to Divine Imagination.
The 8th Psalm says that man was made a little lower than God — not a little lower than the angels — as the King James Version mistakenly translates it. Angels are the emotional dispositions of man and are therefore his servant — and not his superior — as the author of Hebrews tells us. (Heb. 1:14.)
Imagination is the Real Man and is one with God.
Imagination creates, conserves and transforms. Imagination is radically creative when all imaginative activity based on memory disappears.
Imagination is conservative when its imaginal activity is fed with images supplied mainly by memory. Imagination is transformative when it varies a theme already in being; when it mentally alters a fact of life; when it leaves the fact out of the remembered experience or puts something in its place if it upsets the harmony it desires.
Through the use of her imagination, this talented young artist has made her dream a reality.
"Ever since I entered into the art field, I have enjoyed doing sketches and paintings for children's rooms. However, I have been discouraged by advisers and friends who were far more experienced in the 'field' than I. They liked my work, admired my talent, but said I would not get recognition nor pay for this type of work.
"Somehow, I always felt I would — but how? Then, last fall I heard your lectures and read your books and I decided to let my imagination create the reality I desired. This is what I did daily: I imagined I was in a gallery — there was a great deal of excitement about me — on the walls hung my 'art' — only mine (a one-woman show) — and I saw red stars on many of the pictures. This would indicate that they had been sold.
"This is what happened: Just before Christmas, I did a mobile for a friend who showed it in turn to a friend of hers who owns an art-import shop in Pasadena. He expressed a desire to meet me — so I took a few samples of my work along. When he looked at the very first painting he said he would like to give me 'a one-woman show' in the spring.
"The night of the opening, April 17, an interior decorator came and liked and commissioned me to do a collage for a little boy's room, which will appear in the September issue of Good Housekeeping for the 1961 House of the Year.
"Later, during the showing another decorator came and admired my work so much, he asked if he might arrange for me to meet the 'right' interior decorators and the 'right' owners of galleries who would buy and display my work properly. Incidentally, the show was a financial success for the owner of the gallery, as well as for me.
"The interesting thing about this is that seemingly these three men came to me 'out of the blue'. Certainly, I made no effort during the time of my 'imagining' to contact anyone; but, now, I am getting recognition and have a market for my work. And, now, I know without a shadow of doubt that there is no 'no' when you seriously apply this principle that 'imagining creates reality.'" ...G.L.
She tested the Potter and proved His creativity in performance. Only the indolent mind would fail to rise to this challenge. Paul states, "the spirit of God dwells in you”, now, "Examine yourselves to see whether you are holding to your faith. Test yourselves. Do you not realize that Jesus Christ is in you? Unless indeed you fail to meet the test! I hope you will find out that we have not failed." 2Cor. 13:5,6
If "all things were made through Him, and without Him was not anything made that was made” [John 1:3], it should not be difficult for man to test himself to find out who this creator in himself is. The test will prove to man that his imagination is the One, "who gives life to the dead and calls into existence the things that do not exist." Rom. 4:17
The Potter's presence in us is inferred from what He does there. We cannot see Him there as One, not ourselves. The nature of the Potter — Jesus Christ — is to create and there is no creation without Him.
Every recorded story in this book is just such a test as Paul asked the Corinthians to make. God really and truly exists in man — in every human being. God wholly becomes us.
He is not our virtue but our Real Selves — Our Imagination.
The following illustrations from the mineral world may help us to see how Supreme Imagining and Human Imagining could be one and the same power and yet be vastly different in their creativity. Diamond is the world's hardest mineral. Graphite, used in 'lead' pencils, is one of the softest. Yet both minerals are pure carbon. The vast difference in the properties of the two forms of carbon is believed to be caused by a different arrangement of the carbon atoms. But whether the difference is produced by a different arrangement of the carbon atoms or not — all agree that Diamond and Graphite are one substance, pure carbon.
The purpose of life is the creative realization of desire. Man, lacking desire, could not exist efficiently in a world of continuous problems requiring continuing solutions. A desire is an awareness of something we lack or need to make life more enjoyable. Desires always have some personal gain in view. The greater the anticipated gain, the more intense the desire. There is no really unselfish desire. Even when our desire is for another, we are still seeking to gratify desire. To attain our desire we should imagine scenes implying their fulfillment, and enact the scene in our imagination, if only momentarily, with a joy sufficiently felt within its limits to make it natural. It is like a child dressing up and playing "Queen". We must imagine we are what we would like to be. We must play it in imagination first — not as a spectator — as an actor.
This lady imaginatively played "Queen" by being where she wanted to be in her imagination. She was the true actor in this theatre.
"My desire was to attend a matinee performance of a famous pantomimist currently playing in one of the largest theatres of our city. Because of the intimate nature of this art, I wanted to sit in the orchestra; but I didn't have even the price of a balcony ticket. The night I determined to have this pleasure for myself, in my imagination, I fell asleep watching the wondrous performer. In my imaginal act I sat in an orchestra-center seat, heard the applause as the curtain rose and the artist came on stage, and I actually felt the intense excitement of this experience.
"The next day — the day of the matinee performance — my financial condition had not changed. I had exactly one dollar and thirty-seven cents in my purse. I knew I must use the dollar to buy gas for my car which would leave me with thirty-seven cents, but I also knew I had faithfully slept in the feeling of being at that performance, so I dressed myself for the theatre. While changing articles from one purse to another, I found a dollar bill and forty-five cents in change hidden in the pocket of my seldom-used opera purse. I grinned to myself, realizing that gasoline money had been given to me; so would the balance of my theatre ticket be given to me. Gaily I finished dressing and left for the theatre.
"Standing before the ticket window, my confidence dwindled as I gazed at the prices and saw three-seventy-five for orchestra seats. With a feeling of dismay I turned away
quickly and walked across the street to a cafe for a cup of tea. I had spent sixteen cents on my tea before I remembered seeing the price of balcony seats on the ticket window list. Hurriedly, I counted my change and found I had one dollar and sixty-six cents left. Running back to the theatre, I bought the cheapest seat available which cost a dollar and fifty-five cents. With one dime left in my purse, I went through the entrance and the usher tore my ticket in half saying, "Upstairs, left, please". The performance was about to begin, but ignoring the usher's instructions, I walked into the main floor lady's restroom. Still determined to sit in the orchestra section, I sat down, closed my eyes and kept my inward 'sight' riveted on the stage from the direction of the orchestra. At that moment, a group of women walked into the restroom, all talking at once, but I heard only one conversation as a woman speaking to her companion, said, 'But I waited and waited until the last moment.
Then she called and said she couldn't make it. I would have given her ticket away but it's too late now. Not realizing it, I handed the usher both tickets and he tore them in half before I could stop him'. I almost laughed aloud. Getting up, I walked over to this lady and asked if I might use the extra ticket she had, instead of the balcony seat I had bought. She was charming and kindly invited me to join her party. The ticket she handed me was for the orchestra section, center seat, six rows from the stage. I sat in that seat only moments before the curtain rose on a performance I had witnessed the night before from that seat — in my Imagination." ...J.R.
We must actually BE, in Imagination. It is one thing to think of the end, and another thing to think from the end. To think from the end; to enact the end, is to create reality. The inner actions must correspond to the actions we would physically perform "after these things should be".
To live wisely, we must be aware of our imaginal activity, and see to it that it is faithfully shaping the end we desire. The world is clay; our Imagination is the Potter.
We should always imagine ends that are of value or promise well.
"He who desires but acts not breeds pestilence." [— William Blake]
What's done flows from what's imagined. Outward forms reveal the imaginings of Man.
"Man is the shuttle, to whose winding quest and passage through these looms God ordered motion, but ordained no rest." [— Henry Vaughan]
"I run a small business, solely owned, and a few years ago it seemed that my venture would end in failure. For some months, sales had fallen steadily and I found myself in a financial 'jam' — along with thousands of other small businessmen, as this period spanned one of our country's minor recessions. I was badly in debt and needed at least three thousand dollars almost immediately. My auditors advised me to close my doors and try to salvage what I could. Instead, I turned to my Imagination. I knew your teaching but had
never actually attempted to solve any problem in this manner. I was frankly skeptical of the entire idea that imagination can create reality but I was also desperate; and desperation forced me to test your teaching.
"I imagined my office receiving four thousand dollars unexpectedly in remittances due. This money would have to come from new orders as my accounts receivable were practically nonexistent, but this seemed far-fetched as I hadn't received this much in sales during the last four months or more. Nevertheless, I kept my imaginal picture of receiving this amount of money steadily before me for three days. Early the fourth morning a customer I had not heard from in months called me on the telephone asking me to come and see him personally. I was to bring a quotation previously given him for machinery needed by his factory. The quotation was months old, but I dug it out of my files and lost no time in arriving at his office that day. I wrote out the order which he signed, but I saw no immediate help for me in the transaction as the equipment he wanted would take from four to six months for factory delivery, and of course, my customer did not have to pay for it until delivered.
"I thanked him for the order and rose to leave. He stopped me at the door and handed me a check for a little over four thousand dollars, saying, 'I want to pay for the merchandise now, in advance — for tax purposes, you know. You don't mind?' No, I didn't mind. I realized what had happened the moment I took that check into my hands. Within three days, my imaginal act had done for me what I hadn't been able to do in months of desperate financial shuffling. I know, now, that imagination could have brought forty thousand dollars into my business just as easily as four thousands." ...L.N.C.
"O Lord, Thou art our Father;
we are the clay, and Thou art our Potter;
we are all the work of Thy hand."
[— Isaiah 64:8]
CHAPTER 12
ATTITUDES
"Mental Things are alone Real; what is call'd Corporeal, Nobody Knows of its
Dwelling Place: it is in Fallacy, and its Existence an Imposture. Where is the
Existence Out of Mind or Thought? Where is it but in the Mind of a Fool?" — Blake
Memory, though faulty, is adequate to the call for sameness. If we remember another as we have known him, we recreate him in that image, and the past will be recognized in the present. Imagining creates reality. If there is room for improvement, we should re-construct him with new content; visualize him as we would like him to be, rather than have him bear the burden of our memory of him.
"Everything possible to be believed is an image of truth."
The following story is by one who believes that imagining creates reality and acting on this belief changed his attitude toward a stranger and bore witness to this change in reality.
"More than twenty years ago, when I was a 'green' farm boy newly arrived in Boston to attend school, a 'panhandler' asked me for money for a meal. Although the money I had was pitifully insufficient for my own needs, I gave him what was in my pocket. A few hours later the same man, by this time staggering drunk, stopped me again and asked for money. I was so outraged to think the money I could so ill afford had been put to such use, I made myself a solemn pledge that I would never again listen to the plea of a street beggar. Through the years I kept my pledge, but every time I refused anyone, my conscience needled me. I felt guilty even to the point of developing a sharp pain in my stomach, but I couldn't bring myself to unbend.
"The early part of this year, a man stopped me as I was walking my dog and asked for money so he could eat. True to the old pledge, I refused him. His manner was gracious as he accepted my refusal. He even admired my dog and spoke of a family in New York state he knew that raised cocker spaniels. This time my conscience was really pricking me! As he went on his way, I determined to remake that scene as I wished it had been, so I stopped right there on the street, closed my eyes for only a few moments and enacted the scene differently. In my imagination I had the same man approach me, only this time he opened the conversation by admiring my dog. After we had talked a moment, I had him say, 'I don't like to ask you this, but I really need something to eat. I have a job that begins tomorrow morning, but I've been out of work and tonight I'm hungry.' I then reached into my imaginary pocket, pulled out an imaginary five-dollar bill and gladly gave it to him. This imaginal act immediately dissolved the guilty feeling and the pain.
"I know from your teaching that an imaginal act is fact, so I knew I could grant anyone what he asked and by faith in the imaginal act, consent to the reality of his having it.
"Four months later as I was again walking my dog, the same man approached me and opened the conversation by admiring my dog. 'Here's a beautiful dog', he said. 'Young man, I don't suppose you remember me, but awhile back I asked you for some money and you very kindly said "no". I say "kindly”, because if you had given it to me I would still be asking for money. Instead, I got a job that very next morning, and now I'm on my feet and have some self-respect again'.
"I knew his job was a fact when I imagined it that night some four months before, but I won't deny there was immense satisfaction in having him appear in the flesh to confirm it!" ...F.B.
"I have no silver and gold, but I give you what I have." Acts 3:6
None is to be discarded, all must be saved, and our Imagination reshaping memory is the process whereby this salvation is brought to pass. To condemn the man for having lost his way is to punish the already punished. "O whom should I pity if I pity not the sinner who is gone astray?" [William Blake, "Jerusalem"]. Not what the man was, but what he may become should be our imaginal activity.
"Don't you remember sweet Alice, Ben Bolt —
Sweet Alice whose hair was so brown,
Who wept with delight when you gave her a smile,
And trembled with fear at your frown?" [— George du Maurier]
If we imagine no worse of him than he of himself, he would pass as excellent. It's not the man at his best, but the imaginist exercising the spirit of forgiveness that performs the miracle. Imagining with new content transformed both the man who asked and the man who gave. Imagining has not yet had its due in the systems either of moralists or educators. When it does, there will be "the opening of the prison to those who are bound". [Isa. 61:1]
Nothing has existence for us save through the memory we have of it, therefore we should remember it not as it was — unless of course, it was altogether desirable — but as we desire it to be. Inasmuch as imagining is creative, our memory of another either furthers or hinders him, and makes his upward or downward way easier and swifter.
"There is no coal of character so dead that it will not glow and flame
if but slightly turned."
The following story shows that imagining can make rings, and husbands, and move people "to China"!
"My husband, child of a broken home and raised by beloved grandparents, was never 'close' to his mother — nor she to him. A woman of sixty-three and a divorcee for thirty-two of those years, she was lonely and embittered; and my relationship with her was strained as
I attempted to 'stay in the middle'. By her own admission, her great desire was to remarry for companionship, but she believed this to be impossible at her age. My husband would often state to me that he hoped she would remarry and, as he fervently put it, 'perhaps live way out of town'!
"I had the same wish and, as I put it, 'perhaps move to China?' Being wary of my personal motive for this wish, I knew I must change my feeling toward her in my imaginal drama and at the same time 'give' her what she wanted. I began by seeing her in my imagination as a completely changed personality — a happy, joyous woman, secure and contented in a new relationship. Every time I thought of her, I would see her mentally as a 'new' woman.
"About three weeks later, she came to our house for a visit bringing a friend she had met many months previously. The man had recently become a widower; he was her age, secure financially and had grown children and grandchildren. We liked him and I was excited because it was obvious they liked each other. But my husband still thought 'it' was impossible. I didn't.
"From that day on, every time her image rose in my mind, I 'saw' her extending her left hand toward me; and I admired the 'ring' on her finger. One month later, she and her friend came to visit us and as I walked forward to greet them, she proudly extended her left hand. The ring was on her finger.
"Two weeks later, she was married — and we haven't seen her since. She lives in a brand-new home... 'way out of town' and as her new husband dislikes the long drive to our house, she might as well have 'moved to China'!" ...J.B.
There is a wide difference between the will to resist an activity and the decision to change it. He who changes an activity acts; whereas he who resists an activity, re-acts. One creates; the other perpetuates.
Nothing is real beyond the imaginative patterns we make of it. Memory, no less than desire, resembles a day-dream. Why make it a day-mare? Man can forgive only if he treats memory as a day-dream, and shapes it to his heart's desire.
R.K. learned that we may rob others of their abilities by our attitudes toward them. He changed his attitude and thereby changed a fact.
"I am not a money lender nor am I in the investment business as such, but a friend and business acquaintance came to me for a substantial loan in order to expand his plant. Because of personal friendship, I granted the loan with reasonable interest rates and gave my friend the right of renewal at the end of one year. When the first year term expired, he was behind in his interest payments and requested a thirty-day extension on the note. I granted this request, but at the end of thirty days he was still unable to meet the note and asked for an additional extension.
"As I previously stated, I am not in the business of lending money. Within twenty days, I needed full payment of the loan to meet debts of my own. But I consented again to extend the note although my own credit was now in serious jeopardy. The natural thing to do was to apply legal pressure to collect and a few years ago I would have done just that. Instead, I remembered your warning 'not to rob others of their ability', and I realized that I had been robbing my friend of his ability to pay what he owed.
"For three nights I constructed a scene in my imagination in which I heard my friend tell me that unexpected orders had flooded his desk so rapidly, he was now able to pay the loan in full. The fourth day I received a telephone call from him. He told me that by what he called 'a miracle', he had received so many orders, and big ones, too, he was now able to pay back my loan including all interest due and, in fact, had just mailed a check to me for the entire amount." ...R.K.
There is nothing more fundamental to the secret of imagining than the distinction between imagining and the state imagined.
"Mental Things are alone Real..."
"Every thing possible to be believ'd is an image of truth."
[— William Blake]
CHAPTER 13
ALL TRIVIA
"General knowledge is remote knowledge; It is in particulars that wisdom consists
And happiness too." — Blake
We must use our imagination to achieve particular ends, even if the ends are all trivia. Because men do not clearly define and imagine particular ends the results are uncertain, while they might be perfectly certain. To imagine particular ends is to discriminate clearly. "How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline?" Definition asserts the reality of the particular thing against the formless generalizations which flood the mind.
Life on earth is a kindergarten for image making. The bigness or littleness of the object to be created is not in itself important. "The great and golden rule of art, as well as of life”, said Blake, "is this: That the more distinct, sharp and wirey the bounding line, the more perfect the work of art, and the less keen and sharp, the greater is the evidence of weak imitation. What is it that builds a house and plants a garden but the definite and determinate? ...leave out this line, and you leave out life itself."
The following stories are concerned with the acquiring of seemingly little things, or 'toys' as I call them, but they are important because of the clear imaginal images that created the toys. The author of the first story is one of whom it is said, 'she has everything'. This is true. She has financial, social and intellectual security.
She writes:
"As you know, through your teaching and through my practice of that teaching, I have completely changed myself and my life. Two weeks ago when you spoke of 'toys', I realized I had never used my imagination for the getting of 'things' and I decided it would be fun to try it. You told of a young woman who was given a hat by merely wearing that hat in her imagination. The last thing on earth I needed was a hat, but I wanted to test my imagination for this 'getting of things', so I selected a hat pictured in a fashion magazine. I cut the picture out and stuck it on the mirror of my dressing table. I studied the picture carefully. Then, I shut my eyes, and in my imagination, I put that hat on my head and 'wore' it as I walked out of the house. I did this just once.
"The following week I met some friends for luncheon and one of them was wearing 'the' hat. We all admired it. The very next day, I received a parcel by special delivery messenger. 'The' hat was in the parcel. The friend who had worn it the day before had sent the hat to me with a note saying she did not particularly care for the hat and didn't know why she had bought it in the first place, but for some reason she thought it would look well on me — and would I please accept it!" ...G.L.
Movement from 'dreams to things' is the power driving humanity.
"We must live wholly on the level of Imagination. And it must be consciously and deliberately undertaken."
"All my life I have loved birds. I enjoy watching them — hearing their chatter — feeding them; and I am particularly fond of the small sparrow. For many months I have fed them crumbs of morning bread, wild bird seed and anything I believed they would eat.
"And for all those months, I have been frustrated as I watched the larger birds —particularly the pigeons — command the area, gobbling up most of the good seed and leaving the husks for my sparrows.
"To use my imagination on this problem seemed facetious to me at first, but the more I thought of it, the more interesting the idea became. So, one night I set about 'seeing' the little birds come in for their full share of daily offerings, and I would 'tell' my wife that the pigeons no longer interfered with my sparrows but took their share like gentlemen and then left the area. I continued this imaginary action for almost one month. Then one morning I noticed that the pigeons had disappeared. The sparrows had breakfast all to themselves for a few days; for those few days no larger bird entered the area. They did return eventually, but to this day they have never again infringed on the area occupied by my sparrows. They stay together, eating what I put out for them, leaving a full share of the area to my tiny friends.
And do you know... I actually believe the sparrows understand; they no longer seem to be afraid when I walk among them." ...R.K.
This lady proves that unless our heart is in the task, unless we imagine ourselves right into the feeling of our wish fulfilled, we are not there — for we are all imagination, and must be where, and what we are in imagination.
"In early February, my husband and I had been in our new house one month — a home lovely beyond telling, perched on a rugged cliff with the ocean for our front yard, wind and sky for neighbors and seagulls for guests — we were ecstatic. If you have experienced the joy and woe of building your own home, you know how completely filled with happiness you are and how completely empty your purse is: A hundred lovely things clamored to be bought for that house, but the one thing we wanted most of all was the most useless — a picture. Not just any picture, but a wild wonderful scene of the sea dominated by a great white clipper ship. This picture had been in our thoughts all the months of building and we left one living room wall free of paneling to hold it. My husband mounted decorative red and green ship lanterns on the wall to frame our picture, but the picture — itself — would have to wait. Draperies, carpeting — all the practical items must come first. Perhaps so, but that didn't stop either one of us from 'seeing' that picture, in our imagination, on that wall.
"One day, while shopping, I strolled into a small art gallery and as I walked through the door I stopped so suddenly a gentleman walking behind me crashed into an easel.
I apologized and pointed to a painting hanging at head-height across the room.
"'That's what did it! I've never seen anything so wonderful!' He introduced himself as the owner of the gallery and said, 'Yes, an original by the greatest English painter of clipper ships the world has known'. He went on to tell me about the artist, but I wasn't listening. I could not take my eyes from that wonderful ship; and suddenly I experienced a very strange thing. It was only a moment in time, but the art gallery faded and I 'saw' that picture on my wall. I'm afraid the owner thought me a little giddy, and I was, but I finally managed to return my attention to his voice when he mentioned an astronomical price. I smiled and said, 'Perhaps some day...' He continued to tell me about the painter and also about an American artist who was the only living lithographer capable of copying the great English master. He said, 'If you're very lucky, you may pick up one of his prints. I've seen his work. It's perfect down to the last detail. Many people prefer prints to paintings.'
"'Prints' or 'paintings', I knew nothing about the values of either, and anyway, all I wanted was that scene. When my husband returned home that evening, I talked of nothing but that painting and pleaded with him to visit the gallery and see it. 'Maybe we could find a print of it somewhere. The man said...' 'Yes', he interrupted, 'but you know we can't afford any picture now...' Our conversation ended there, but that night after dinner, I stood in our living room and 'saw' that picture on our wall.
"The next day, my husband had an appointment with a client which he did not want to keep. But the appointment was kept, and my husband did not return home until after dark. When he walked through the front door, I was busy in another part of the house and called a greeting to him. A few minutes later I heard hammering and walked into the living room to see what he was doing. On our wall hung my picture. In my first moment of intense joy I remembered the man in the art gallery, saying... 'If you're very lucky, you may pick up one of his prints...' Lucky? Well, here is my husband's part of this story:
"Making the call already mentioned, he entered one of the poorest, meanest little houses he had ever been in. The client introduced himself and led my husband into a tiny dark dining area where the two of them sat down at a bare table. As my husband put his brief case on the table top, he looked up and saw the picture on a wall. He confessed to me he had conducted a very sloppy interview because he couldn't take his eyes from that picture. The client signed the contract and gave a check as down payment which, as my husband believed at the time, was ten dollars short. Mentioning this fact to the client, he said the check given was every cent he could afford but added... "I've noticed your interest in that picture. It was here when I took this place. I don't know to whom it belonged, but I don't want it. If you'll put the ten dollars in for me, I'll give you the picture.'
"When my husband returned to his company's main office, he learned he had been in error about the amount. He was not charged ten dollars. Our picture is on our wall.
"And it costs us nothing." ...A.A.
Of R.L., who writes the following letter, it must be said:
"In faith, Lady, you have a merry heart."
[— William Shakespeare, "Much Ado About Nothing"]
"One day, during a bus strike, I needed to go into the downtown area and had to walk ten blocks from my home to the nearest bus in operation. Before starting home, I recalled there was no food market on this new route and I wouldn't be able to shop for dinner. I had enough to manage a 'pot luck' meal but I would need bread. After shopping all day, the ten blocks back from the bus line was all I could manage and to go still farther to shop for bread was out of the question.
"I stood very still for a moment and allowed a vision of bread to 'dance in my head'. Then I started for home. When I boarded the bus, I was so tired I grabbed the first available seat and almost sat on a paper bag. Now, on a crowded bus tired passengers rarely look directly at one another, so being naturally curious, I peeked into the bag. Of course it was a loaf of bread — not just any bread but the very same brand of bread I always buy!"...R.L.
Trifles: all trifles — but they produced their trivia without price. Imagining accomplished these things without the means generally reputed necessary to do so.
Man rates wealth in a way that bears no relation to real values.
"Come, buy wine and milk without money and without price." — Isaiah 55:1
CHAPTER 14
THE CREATIVE MOMENT
"The natural man does not receive the gifts of the Spirit of God, for they are folly to
him, and he is not able to understand them because they are spiritually discerned."
— 1Cor. 2:14.
"There is a Moment in each Day that Satan cannot find, Nor can his Watch Fiends
find it; but the Industrious find This Moment & it multiply, & when it once is found
It renovates every Moment of the Day if rightly placed." — Blake
Whenever we imagine things as they ought to be, rather than as they seem to be, is "The Moment". For in that moment, the spiritual man's work is done and all the great events of time start forth to mould a world in harmony with that moment's altered pattern.
Satan, Blake writes, is a "Reactor". He never acts; he only reacts. And if our attitude to the happenings of the day is "reactionary", are we not playing Satan's part? Man is only reacting in his natural or Satan state; he never acts or creates, he only re-acts or re-creates. One real creative moment, one real feeling of the wish fulfilled, is worth more than the whole natural life of re-action. In such a moment, God's work is done.
Once more, we may say with Blake,
"God only Acts and Is, in existing beings or Men."
["The Marriage of Heaven and Hell", 1793]
There is an imaginal past and an imaginal future. If, by reacting, the past is re-created into the present — so — by acting out our dreams of fancy can the future be brought into the present.
"I feel now the future in the instant." [— William Shakespeare, "Macbeth"]
The spiritual man Acts: for him, anything that he wants to do, he can do and do at once — in his imagination — and his motto is always, "The Moment is Now".
"Behold, now is the acceptable time; behold, now is the day of salvation."
— 2Cor. 6:2
Nothing stands between man and the fulfillment of his dream but facts. And facts are the creations of imagining. If man changes his imagining, he will change the facts.
This story tells of a young woman who found the Moment and, by acting out her dream of fancy, brought the future into the instant, not realizing what she had done until the final scene.
"The incident related below must appear to be coincidence to those never exposed to your teaching — but I know I observed an imaginative act take solid form in, perhaps, four minutes. I believe you will be interested in reading this account, written down, exactly as it happened, a few minutes after the actual occurrence, yesterday morning.
"I was driving my car east on Sunset Boulevard, in the center lane of traffic, braking slowly to stop for a red signal at a three-way intersection, when my attention was caught by the sight of an elderly lady, dressed all in grey, running across the street in front of my car. Her arm was raised, signaling to the driver of a bus which was beginning to pull away from the curb. She was obviously attempting to cross in front of the bus to delay it. The driver slowed his vehicle and I thought would allow her to enter. Instead, as she jumped on to the curb, the bus pulled away leaving her standing just in the act of lowering her arm. She turned and walked swiftly toward a nearby phone booth.
"As my signal changed to green and I put my car in motion, I wished I had been behind the bus and had been able to offer her a ride. Her extreme agitation was obvious even from the distance I was away from her. My wish instantly fulfilled itself in a mental drama, and as I drove away, the fancy played itself out in the following scene...
"...I opened the car door and a lady dressed in grey stepped in, smilingly relieved and thanking me profusely. She was out of breath from running and said, 'I only have a few blocks to go. I'm meeting friends and I was so afraid they would leave without me when I missed my bus.' I left my imaginary lady out a few blocks farther on and she was delighted to observe her friends still waiting for her. She thanked me again and walked away..."
"The entire mental scene was spanned in the time it takes to drive one block at a normal rate of speed. The fancy satisfied my feelings regarding the 'real' incident, and I immediately forgot it. Four blocks farther, I was still in the center lane and again had to stop for a red signal. My attention at this time was turned inward on something I have now forgotten, when suddenly someone tapped on the closed window of my car and I looked up to see a lovely-appearing elderly lady with grey hair, dressed all in grey. Smiling, she asked if she might ride a few blocks with me as she had missed her bus. She was out of breath, as though from running, and I was so stunned by her sudden appearance in the middle of a busy street at my window that for a moment I could only react physically, and without answering, leaned over and opened my car door. She got in and said, 'It's so annoying to rush so and then miss a bus. I wouldn't have imposed on you like this, but I'm supposed to meet some friends a few blocks down the street and if I had to walk now, I would miss them.' Six blocks farther on, she exclaimed, 'Oh, good! They're still waiting for me.' I let her out and she thanked me again and walked away.
"I'm afraid I drove to my own destination by automatic reflex, for I had fully recognized that I had just observed a waking dream take form in physical action. I recognized what was
happening while it was happening. As soon as I could, I wrote down each part of the incident and found a startling consistency between the 'waking dream' and the subsequent 'reality'. Both women were elderly, gracious in manner, dressed all in grey, and out of breath from hurrying to catch a bus and missing it. Both wished to meet friends (who for some reason could not wait for them much longer) and both left my car within the space of a few blocks after successfully completing their contact with their friends.
"I am amazed, confounded and elated! If there is no such thing as coincidence or accident — then I witnessed imagination become 'reality' almost instantaneously." ...J.R.B.
"There is a Moment in each Day that Satan cannot find. Nor can his Watch Fiends find it;
but the Industrious find This Moment & it multiply, & when it once is found
It renovates every Moment of the Day if rightly placed."
"From the first time I read your 'Search', I have longed to experience a vision. Since you have told us of the 'Promise', this desire has been intensified. I want to tell you of my vision which was a glorious answer to my prayer; but I am sure I would not have had this experience were it not for something that occurred two weeks ago.
"It was necessary for me to park my car some distance from the University Building where I was scheduled to conduct my class. As I left my car, I was conscious of the stillness about me. The street was completely deserted; no one was in sight.
"Suddenly, I heard a most frightful cursing voice. I looked toward the sound and saw a man brandishing a cane, yelling, between vile words, 'I'll kill you. I'll kill you'. I continued on as he approached me, for at that moment I thought 'Now I can test what I have professed to believe; if I do believe we are one, The Father, this derelict and I, no harm can come to me. At that moment I had no fear. Instead of seeing a man coming toward me, I felt a light. He stopped yelling, dropped his cane and walked quietly as we passed with less than a foot between us.
"Having tested my faith at that moment, everything about me had seemed more alive than before — flowers brighter and trees greener. I have had a sense of peace and the 'oneness' of life I had not known before.
"Last Friday, I drove to our country home — nothing was unusual about the day or evening. I worked on a manuscript and, not being tired, did not try to fall off to sleep until around two the following morning. Then I turned off the light and drifted into that floating sensation, not asleep but drowsy, as I call it, half awake and half asleep.
"Often, while in this state — lovely, unknown faces float before me — but this morning the experience was different. A perfect face of a child came before me in profile — then it turned and smiled at me. It was glowing with light and seemed to fill my own head with light.
"I was aglow and excited and thought 'this must be the Christos'; but something within me, without sound, said, 'No, this is you'. I feel I will never be the same again and some day I may experience the 'Promise'." ...G.B.
Our dreams will all be realized from the time that we know that Imagining Creates Reality — and Act. But Imagination seeks from us something much deeper and more fundamental than creating things: nothing less indeed than the recognition of its own oneness, with God; that what it does is, in reality, God Himself doing it in and through Man, who is All Imagination.